Style: Modern Classical/Ambient
Country: UK
Label: Cam Original Soundtracks
Format: MP3@CBR, 320 kbps
Size: 95 mb
About Release:
From the very beginning, I favoured a classical composition for my film. A soundtrack of an ethnical nature was out of the question for me, as I intended to tell a universally human story, which avoids a folkloristic perspective. Rather than being heavy on comment, I wanted the music for the film to develop it's own self-contained character. In Max Richter and Stéphane Moucha, I had found two composers who, each in their very own way managed to take that concept and fill it with life.Max Richter's influences range from the classical composers of past eras as well as Phillip Glass or Steven Reich. One of his first works was on the film "Waltz with Bashir" by Israeli director Ari Folman that showcased at the Cannes film festival. In his work on "WHEN WE LEAVE" Max Richter created an autonomous soundscape that manages to connect to the various narrative layers and strands of the film with sophistication and that does justice tothe inner tension of the characters as well as the film's epic pathos. Richter's compositions as well as the compositions of Stéphane Moucha, whose works also contributed largely to the film's soundtrack, were recorded live at Berlin and Paris. Moucha is a classical film composer whose works include, among others, the soundtrack to the academy-award-winning "TheLives of Others". His tracks compliment Richter's music and weave it into a musical score of consistency. At best, a soundtrack contributes to the success of a film. In that, it does not merely 'serve the film' but adds aesthetic value to it. On “WHEN WE LEAVE”, Max Richter and Stephane Moucha achieved nothing less. Feo Aladag (Producer, Writer and Director)
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