Release type: Full-length
Style: Ambient
Country: Italy
Label: Hic Sunt Leones
Format: MP3@CBR, 320 kbps
Size: 113 mb
Official
About Release:
Next is The Sleep of Seeds, a collaboration with Saffron Wood (who listeners might remember from way back on 1993'sThe Promises of Silence compilation). This is a fifty minute long meditation on the growth of plant life from seed to above-ground entity. This is an appropriate area of musical exploration because the work of Alio Die has always been about the microworlds of sound usually ignored by casual listeners. Why not focus onan area of life normally unseen, transmuted into musical impressions? Different from most recent Alio Die albums, this collaboration contains three sprawling tracks of ambience, rather than short sonic impressions. The first, "The Sleep of Seeds", is remarkably abstract--harking to the early days of Alio Die's work, when it resembled Ora and Art of Primitive Sound. This track is atwenty minute revolving of experimental elements, strange percussives, unknown electronic noises, dissonant textures. The sleep of seeds is clearly an alien slumber, with quiet dreams. The track dithers on improvisationally, ending with haunting bass drones and strange, muted cries. "Awakening in a New Form"is not remarkably different from the first track, though toward the end a transition is made to deeper levels of drone. The underworld life of the seed has expanded into more broad and beautiful terrain, as it stretches its nascent tendrils towards the sun. Finally, "A Dream of Mother Ground" expand seven further into strange whistling, tribal flutes, and marvelous water ambience--the plant is reaching high into the air, splashed with nature's water,photo synthesizing in a wild, natural life-orgy. This is a highlight of the album--there are no humans to interrupt the cycle; this is pure pre-history at work; when plants covered the landmasses of Earth, not choking the land, but an endless soft green caress. This is a singularly understated album, very much harkening back to the early Alio Die days of unusual environmental ambient. This will appeal most to fans of Alio Die's earliest material, though I personally find it to be somewhat of a throw back to music Musso has already expanded and improved upon. Perhaps not the most essential part of this trio, but an interesting trip nonetheless.
Brian Bieniowski
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